running

Catharsis was the line & story I was going to sell to the pretty thing.

I met a stranger last night, from the northern country. The rain fell, and as her husband took a leak in the restroom, we talked marathons, which we agreed, takes a certain sort of soul to like, with all the dull discipline and rigid routine required to hone a body for brutal, boring, paced running.

"I love running, though," she said, "I love just opening my front door, and going, and I don't know where I'm going, but I just go."

"I love that." She meant the stuff of long drives, aimless evening wanders, & meaningless sex with strangers you briefly think you vaguely understand, but never will truly know.

Her husband returned.

"Do you love that, darling? Running takes me away from you, do you love that I run?"
"Of course I love that you run. Look at that body that comes back."

And they kiss.

I bid them goodnight, and close shop.


-- 


Wandering the streets, towards a way home, I think about Catherine who fell asleep waiting in bed, at home. 

I think about all the Catherines, and all the souls that didn't crave going home to them. Catherine with her pretty face and her slowly shaping body, which is lovely because she has been trying. She deprives herself of daily simple joys, and pushes her vessel, so that one day, a man will come, and sweep her up into his strong arms, and take care of this little grown princess, and she won't have to worry about a thing at all, and simply play, with the children, and make food, and wait all day.

I think about Catherine who wakes for a sliver of a moment from her sleep, warm in the security of bodied company, and her sleepy happiness which brings my mind no ease.

I think about crawling into bed and fucking Catherine, and donning the movements of this man that she craves, and truth be told, she doesn't care if you're pretending, as long as it looks just like the real thing in her dirty romance novels and she never has to catch on, like she thinks she is some trophy you'd go through the effort of courting and lying to, in order to fuck, as if pretty girls weren't everywhere, as if there weren't genuinely kind, pretty girls in the world, who were capable of real love, who you wanted to make love to.

Love, and I think of other souls as I am slipping in quietly through my door.

I drop the things. I unbutton my shirt, slip from my clothes, & I am naked in the dark hours of the morning. All the stars are out and stark-bright, post-rain. I think of wet pavement under streetlight.

I find an old t-shirt and pull it slow over my head, and close, onto my body, and it is cool and smooth, and soft as tenderness. I don't think of bitter things, but of the way the loveliest souls smile, as they give in to the happiness that sweeps them. I roll the legs of my sweats up, and finish dressing. The world is asleep, so I slip out again.

The silence of houses and the moon. 
Catharsis, and I am not chasing it.

I go, and the feeling overtakes me.

The rain comes down hard on the skylight above my room of mirrors. Cold air from the machine accompanies me. I think about chopping my dark locks, but they are the mood to me when I am wearing somber expressions & white. I wanted to struggle & write a love song, or fall to the music of a different soul, but all there is, is summer rain in the evening.


-


I'm sitting in a room growing dark, listening to the songs of a stranger's soul. Blues and blue eyes. Is this a love novel? Every true story is a journey, a narrative on transition, on growth and loss, and going home. Where is home? I am already home. The sunset's coming out for me. Storm, yea, but there's evening.

She fell into my life like a girl drenched in rain. I don't think it was autumn; likely, spring, some March or May day; I don't care for April, so I don't remember it as April.

It was raining, and in our spring coats, picturesque in the city with our umbrellas and our boots on the avenue and the rain and grey, I left. It was cold, but not so much. There was no misery. My socks were dry. Spring was near; the star magnolias were nearing bloom.

She was wearing red. We were all in taupe and greys, & blacks, shades of the New Yorker.
And there she was, soggy, & dripping like a tulip. And she was mine.

Maybe if someone else had spotted her first, someone with a nicer mug & an extroverted temperament, but it was raining & evening had just fallen. She was like a damsel. Distress. Something.

"Here." I offered her my umbrella.
"No, thank you, I'm alright,--" she went on.
I slipped the handle in her soft hand.

"It's alright."
And before she could return it, I nodded goodbye, and crossed the street.

---

I loved her like that. She was perfect.

And she held back a sob. She was wearing black today. Some black frumpy sweater and black jeans, & nondescript black pointed shoes. Her mouth was painted a dark burgundy.

I did not want to kiss it. I hated her mouth like that, all pretty but undesirable.
Who did she paint it for? ---Not for me. Maybe for herself.
We only have ourselves at the end of the day.  It was almost symbolic. She was funeral colors.
Who loved death? Death is not catharsis. It's just the end.

"Please take your umbrella." She took it from the stand. She was playing on symbolism.

"No. It's alright."

"I don't want it." She started sobbing through her words.

"It's just an umbrella." It was.
She threw it at me. It hit me. Caught me off-guard.
I was angry, for a moment, but it didn't hold.

And she held herself and began sobbing harder. I wanted to hold her. I wanted to kiss her, but it wouldn't be the same.

The feeling went out. It was like a bulb, and love was the filament that broke, because thin filaments break. The light goes out, and it is just a dead bulb. I wanted to hold her, but it wasn't my place. I did not love her.

Without another bullshit art moment in me, I grabbed the knob, twisted quick, & left. Locked & pulled shut.

The air was fresh & damp. It was raining. I'd catch a cab around the first corner.

I don't know about portraits of the soul, but in days of sunshine, sometimes I go away for a little bit, to have time by myself.

And sometimes I am writing, typing on my bed, by the window.
Or sometimes, I'm sitting against the wall, making songs on silver strings, with pencil & strums.

And sometimes, I go naked, and turn on the shower. I put the music, loud in the basin, leave the vent & the lights off, and shut the door. And the water is a little too hot. And my knees and the little balls and palms of my hands find the smooth face of the bathtub. And there it is, hot rain, and clouds, all in the dark, and I breathe. It rains and rains, on my head and down my back, which wants to let go of this tension. My hair yields to the torrents which do not care. I could drown in this. If I were a weeper, I'd weep, but I am a breather, so I breathe. I could sleep in this water, which drains beneath me, pours down from above.

Are we not all alone? 
I am alone, and it is both relief and safety. 

What is the weight that weighs me? I don't know. I think I am sad, all the time, but I've learned to not let it stop me. My sadness is with me in all moments. What brought me this sadness? I don't know. I've had it forever.

I could cradle her in my arms, and pet her hair. She's quiet, and she is not unkind. I could love her, and she would still be sad, in this soft, close-but-distant way. How could I be lonely, when she is always here with me?

some birds eat other birds, or story for the lost artist

A cliff falcon swept her broad wings, and
thefted a newborn chicken-child singing 
pio, pio, pio to a little boy.

Well, throw a rounded stone swiftly,
enough to strike
the hunter. She will
drop the yellow feathered thing.
It will plunge thirty feet, 
lay dead on the grass, dirtied
and damp on the ground,
for the little boy to dash over
in his small feet,
and be afraid to touch it.

You must
pick it up, the little dead body,
and carry it in the cracked cradle
of your labored hands,
and lay it,
in a grounding-stone grave.

You must take the old bronze bowl,
the one where grandmother's young fingers
picked her blessed rice from,
when the young farm chickens chirped for her,
and place
the hollowed metal,
on the silent body of the creature.

Take a tarnished spice spoon, heavy
with the rains and cold,
and strike, the empty eating sphere.
It will ring, a knelling clarity,
& sound, into the dozing mountains,
and the cool, grey haze that cloaks them.

You must hit it again,
& again, and then, again, drumming
faster, your fingers,
become chanting monks
of a dead dharmic religion,
a steady, chiming, prayer-voice
soaring up to the blind burying gods,
and the bird will stir.

interlude

what is the taste of love?
-beers drowned in amaretto, liquid almonds with a little poison, steeped from the stone hearts of summer, love does not taste like you.
-orgasms, love does not taste like you.
-james joyce, oh poldy, poldy bloom, your molly who is going to leave you, yes, yes, oh yes, and i yes, yes your stream of conscious sweetness while you sleep, love, love does not taste like you, nor your old nostalgia pages.

am i blue? billie asks me. blue billie, i'm not like you. i don't cry, and no man's left me. the world is old and filled with lies, and i can lie too. it was a woman who killed lucifer.

-

there was a fire in chinatown, and it left a blackened stone-brick skeleton, all concrete and charred, and i fell in love with its burnt hollowness. is it bizarre to feel this, to love decrepit, aging buildings? the attraction's all in the expression, the honest ugliness.
they can't lie, so they stand in the rain, waiting to be demolished.

there's an art to lying; it is the craft of story-weaving and selling desire. you take a set of images, linked only by the person who commits them, and tie them together to make a narrative that people want to buy, like a bundle of frail papers with secrets, or withering blossoms.

i don't want to be eloquent. i don't want art. i don't want jacquard floors. i don't want to know that we are only chemicals and fiction.
i don't want to make love letters to ugly, miserable, disgusting (beautiful!) despair, who digs into me with her hooked ring, and her androgynous twin, desire, who possesses the space where my metaphysical heart should be, and breathes through my pores, and lives alone in his/her mirrored chambers.

perhaps i am poetry. i don't think poetry can live in a body like mine, or maybe that's why it does. or perhaps the world is too heavy sometimes, with it's grey nights, and overflowing fog, smog in the city. or perhaps i don't love people, only ideas, because people can't appreciate the world. or maybe i was born strange in the head, and now i love walls and dirt, and blackness, and mourning, and see truths too clearly to want to play cat's cradle and repeat cycles with liars; they are all liars.

or maybe i don't know the heart of what's real when it looks back at me.

Some nights, as the starry clouded hours lay with me,
I think of those who lay their aging bodies,
unshowered and uncradled,
into the empty pocket of their machine-worn sheets,
and then of myself, spray cleansed
and coiled like electric cooling in the flat folds of my quilt
to keep my bathed body from the damp of the dew,
that soaked my linens closer to midnight.

There is a wandering in my flesh,
that keeps me from silence,
the pieced pastorals of my mind.
My organs are hungering
for hairy arms and a bed
in Brooklyn. I call my lover, apologize.
He instructs: turn off the lights, lie down, close your eyes.
 
I say: goodnight. He says: goodnight.
And as he falls 
to heavy, luscious breathing,
the static on the phone becomes steady rainwater,
glistening orange and city as it drops,
sounding steps, high and ringing in wash colored pavement.
Heavy inhales, exhales,
June rain on my thirsting skin.

For a moment,
I turned the faucet
and the water sang.
Two notes, a gurgling alto warming her chords.

Then, the flow of water aerating
down the lowly sink, down the steel holes.

Nobody loves me the way the water does.

Last night
the rain struck me
with swifts, half-liquid butterflies.
blinded, I walked onwards anyway,
and clung,
to its pebbling coldness.
then, I too, was sweet rain.
 
A splash.
It nearly kisses me,
but falls away.
I wash my face yet again.
It rinses my sweat, the oil,
but underneath, never pristine,
a dirt girl unearthed to porcelain;
I am yellow pale, a boyfaced zombie.